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THE EMPRESS / VENUS / BOWER OF BLISS
Creative Imagination, Power of Symbol
Chaotic systems, fractals, seed level, Archetypes and Symbols
The Great Mother, Nature, Growth
Abundance, luxury, comfort, being grounded
Connection with nature, rootedness, earthly refuge
Material wealth, marriage, increase, growth
The seed of love and truth. The fecund, bountiful, loving mother.
Your inner relationship to your own mother
She Who Sets In Order - the Consort of the Emperor
The nurturing aspect of the anima.
The Empress and the High Priestess are the two halves of the female archetype:
The Empress's door has also been compared to the womb, as the gateway of life; the prenatal epoch is for most people the source of dim memories of an Arcadian, perfect world, an Avalon, a bower of bliss, a sundappled, sheltered glen.
Madonna and Child - Boltraffio - 1495
Motherhood blankets
existence.
Camille Paglia
The door is also self protection, sequestering, storage, conservation, and development. This is the door of the house in Key 1. The door leads both in and out; this shows connection to the travel suggested by the camel in Key 2.
"If the doors of perception were cleansed everything would appear to man as it is, infinite."
(William Blake)
EAST, the direction assigned to Key 3 on the Cube of Space, is the direction of sunrise, the Doorway of the Sun, and the Birth of the Day.
3, the number of the Empress, is the number of "conditions," or "states" that the 4 elements take in the Zodiac. The Empress (3) and the Emperor (4) work together to create 12.
"And a great portent appeared in heaven, a woman clothed with the sun, with the moon under her feet, on on her head a crown of twelve stars; she was with child..."
CHAOTIC SYSTEMS, FRACTALS, & SYMBOLS
The feminine character of the Empress is nature, patterned, flowing, billowy, and nurturing. Key 3 intersects with Key 2, whose High Priestess symbolizes the the dark side of the feminine, the chaos, and the cthonic grinding in the deep bowels of the Earth, the lunar feminine flux.
Until recently, it was believed that all chaotic systems were invariably subject to entropy; that is, ever increasing disorder. With the ability to crunch huge numbers that came with computers, it was realized that there is another kind of chaos: Deterministic Chaos - apparent chaos that reveals patterns over time and space, meaning that with enough distance, the apparent disorder of water molecules in the ocean is seen as ripples or waves, or that after time, a repeating scenario is seen as part of a larger historical pattern.
The Empress is the generatrix of ideas, the multiplication of images, the subconscious matrix from which arise new concepts and mind-forms. This multiplication is shown in the wheat growing in front of her; each seed head represents an exponential increase from the original seed of that plant.
There is endless multiplication, repetition, and self-similarity in nature, because space/time is fractal. The fractal's convolutions are the folds of the Empress Mother's blankets. She also has control over sequence of development (gestation - Fallopian billows), another key component of the fractal - a mathematical representation of the mind of Creator.
Natural patterns are fractal;
fractals are "Chaotic Systems." They reveal patterns in apparent chaos; they
"gestalt" a confusing miasma of numbers and show infinitely complex and beautiful
patterns. The fractal begins with a "seed" formula, then develops through
re-iteration; the same formula is repeated millions of times, the results
of each operation fed into the next one. This is called a feedback loop.
The perimeter of the fractal is a graph of all of the equation results.
Here is the "Mandelbrot Set," meaning the basic equation before any iterations, or "magnifications."
The image above is a graphic depiction of this: "the Mandelbrot set is the set of complex numbers c for which the function does not diverge when iterated, i.e., for which the sequence f(0), f(f(0)), etc., remains bounded in absolute value." Wikipedia can explain it.
Mandelbrot
slow zoom, 1 minute 40 seconds
The fractal exhibits certain features.
It has self similarity over time and space. It has strategic dependence
on initial conditions, where a tiny difference at the Seed Level, at the
very beginning of the process, can make immense differences after development,
repetitions, and re-iterations. It has infinite depth; it can be enlarged
forever without losing detail. A fractal is a finite area with an infinitely
long perimeter.
Mandelbrot
fractal X13 (thirteen magnifications)
The fractal zoom in the video below goes to 350 million
iterations. Generating the frames (doing the math) for a video like this can take weeks, even with today's
amazing computer power. Be aware too, that anywhere in this video its possible to pause it, to examine it
without it moving. It's much faster than the one above. Use the link at the bottom of the video and go to
youtube to see it full screen. This video is 9 minutes long. [use 'mute' if the music is distracting]
Fractal geometry is related to the Fibonacci Sequence, discussed with the Phi Ratio, in Tipharet.
They Symbols express what is beyond
words.
Mandelbrot
fractal X21 (twenty-one magnifications)
Mandelbrot
fractal X40 (forty magnifications)
She copes with the unpredictability,
the confusion, and the seeming deception and disorder of the High
Priestess, the Kali aspect of the Goddess and the Universe. She is the
feminine that rules by virtue of her stamina, determination, and ability to
deal with chaos (i.e. child rearing).
Mandelbrot
fractal X59 (fifty-nine magnifications)
Symbols allow us to contact and work with the unconscious realm, Key
2, and the Shadow, Key 15.
The Symbol associated
with the Empress, the Great Mother, is a Cauldron:
The Cauldron is
a container in which to mix ingredients and bring forth a Sacred, purified
result
Mandelbrot
fractal X200 (two hundred magnifications)
Rites of passage and transformation
rituals often follow a pattern of descent into chaos (Key 2) and a subsequent
re-ordering of the world. This is the same as the order emerging from chaos
in the fractal, and the same as the cauldron's boil bringing forth the finished
product. The Empress shows the process of bringing order out of the High Priestess'
testing thicket of confusion.
Venus
Venus' placement at birth sets
the character for the person's receptive capacities, of the ability to bond
with others. It shapes the way our emotions work; it shows our artistic abilities,
our abilities at tact, our way of expressing affection, and who we are attracted
to.
VENUS
Venus infuences the love nature.
Afflictions to Venus create troubled love-life or friendships, or hamper the
ability to enjoy life.
Venus takes 224 days to complete
it's orbit through the zodiac.
Well-aspected Venus can bring
comfort and beauty. Venus with difficult aspects can be miserable. When she
is powerful, she can overcome less fortunate energies in a chart, or lend
softness to a bad situation.
Venus is Exalted in Pisces,
and Rules Taurus/Libra.
Venus' detriment is Aries/Scorpio
and its fall is Virgo.
The Sepher associated with Venus
is Netzach.
Fractals, and nature, are "attracted"
into their patterns by mathematical versions of our Symbols; they are
"power points" or "gravity wells," that influence the final form of the pattern.
Our symbolic belief systems, dreams, archetypes, and personal associations
are the same thing. They inform our lives, affecting us as much as
we affect them, and help to create the fractal of our personalities, souls,
and life stories.
Six Essential Elements of Symbols:
Paul Tillich,The
Dynamics of Faith.
New York: Harper and Row 1956 Through
means of the symbol, there is revealed hidden light from the concealed
life of the Infinite that illuminates from within.... One could say that
all of creation is only a language, a symbolic expression of that level
which cannot be apprehended by thought... the entire world is thus a symbolic
body, within whose concrete reality there is reflected the divine secret.
Gershom Scholem : On The Possibility of Jewish Mysticism
in Our Time : 1997 "What we call "nature"
is only the maximum structure into which all material elements have entered,
and nature is a work of love because it means the generation or creation of
some things inside others, the birth of one from another in which it was preconceived,
preformed, virtually contained."
Ortega y
Gasset, Jose. Meditations on Quixote.
New York: N.W. Norton and Company, 1961.